Bibliographic Information
Fleischman, P., & Beddows, E. (1988). Joyful
noise: Poems for two voices. New York: Harper & Row.
Poetry can be a powerful literacy
tool when teaching students of all ages and abilities reading and writing
skills. It exposes students to rhythm
and rhyme with an element of fun! As a
teacher or librarian, we can encourage our students to find poetry in their everyday lives through the music they love or the activities they enjoy. By examining students’ favorite song lyrics,
commercials, or even television slogans we are able to introduce them to poetry
in their world. Poetry fosters creative
reading and writing skills which can be learned in groups or individually,
making it a universal favorite of students from all backgrounds and talents.
The book, Joyful Noise by Paul Fleischman, allows students a fun way to practice
reading classic styles of poetry. This
amazing collection of poems was written to be read aloud by two voices, either
simultaneously or alternately. Educating
on the rich world of insects, this book is a must have for science teachers of
multiple grade levels. Various emotional
tones are compared and contrasted throughout the poems ranging from humor and
sullenness to active and gentle. Each
poem is uniquely illustrated to expose the vibrant diversity of the insect world, thus giving insightful visuals for readers to enjoy.
Text # 2: A Fire In My Hands
Bibliographic Information
Soto, G. (1990). A fire in
my hands: A book of poems. New York: Scholastic.
Do you find poetry
difficult to understand and why or why not? If you had to write a
poem, what would you choose to write about and why? Do you believe poetry is just as
important as other forms of writing, and why?
In his book of poems, Gary Soto
starts with a Foreword explaining the seriousness of his dedication to poetry
and ends with a Q&A session about his work and theories. Soto
considers his poems to be about “working life,” detailing the normal routines
of young people in their day-to-day experiences. His poetry ranges in
topics about sports, love, friendship, family and societal cultures, making them easy to relate to for a diverse body students. Young Adult poetry, such as this, is a great way to introduce students to Language Arts who typically wouldn't be interested in reading classical poetry. This book would be a great resource for teachers in search of material that would appeal to both boys and girls, minority students and teenagers in general. He
includes an anecdote before each of his twenty three poems explaining what the
poem means to him and where he found his inspiration to write it. His
poetry is heavily influenced by his Mexican/American upbringing in California.
Text # 3: Kathy Schrock’s Guide to Everything
Text # 3: Kathy Schrock’s Guide to Everything
URL: : http://www.schrockguide.net/
Kathy Schrock’s Guide to Everything
is an extensive website built with the purpose of informing educators of the
many technological resources available to them and how to incorporate them in
the classroom. Kathy Schrock has over
thirty years of experience working in education and has published more than one
hundred articles and books relating to educational technology and information literacy. For teachers and media coordinators, this website
is extremely useful when researching the most current technology as a teaching
tool. Along the left panel are topics
relevant to educators such as Assessment and Rubrics, Authentic Learning,
Concept Mapping, Connecting Your Classroom, Digital Storytelling and so much
more. Kathy Schrock provides ratings of
apps, technology tools, and other online resources. She also provides guides for parents and
teachers.
Readwritethink is a website sponsored by the International
Reading Association and the National Council of Teachers of English. It provides a plethora of useful information
for educators in a structured way, making it easy and quick to navigate. Along the top of the website are four horizontal
tabs titled: Classroom Resources, Professional Development, About Us, and
Parent & Afterschool Resources.
Along the left panel users may refine their search according to the
grade level, strategy, learning objective, or theme being sought after.
This
website is particularly helpful for teachers working with English Language
Learners because it provides strategy guides tailored to meet the needs of ELLs
as well as students needing extra support.
It features three strategy guide series titled: Reading in the Content
Areas, Differentiating Instruction, and Teaching Writing. Each of the series provides comprehension,
vocabulary, reading and writing support for ELLs. Lastly, there are strategy guides for
teaching literacy, inquiry-based learning, literature performance, and teaching
with technology.
Text # 5: Guys Lit Wire
Maintaining a book blog requires constant
dedication and passion to providing up-to-date material. The best way to meet the needs of diverse
readers it to be knowledgeable of what is available. As a School Media Coordinator, I find blogs provide fast and easy guides to great
reads for my students.
Guys Lit Wire provides a wide
array of gender diverse books while also representing topics for multiple
cultural backgrounds and interests. There
are several contributors whose names along with credentials can be found under
the link “Guys Lit Wire Contributors.” I
like this blog because it seems to provide recommendations for minority groups
in need of great books to read, while specifically appealing to boys. Research has shown that boys are a more
challenging audience to foster a love of reading in. This blog provides books which support
traditionally preferred topics by boys such as science, technology, engineering
and math. The Blog is visually appealing
by providing large images of book covers with reviews. My favorite feature is the way in which
reviewed books are organized. Along the
left side, under Categories is a list of books to choose from based on
interests. The categories are designed
to catch your attention ranging in subtitles labeled “Everyone’s Got Issues,” “Draw me a Picture,” and “Flying Cars and Lost
Cities.” I would definitely draw
resources from this blog to appeal to male readers, as well as female.
Text # 6: Green Bean Teen Queen
"A Teen and Tween Librarian's thoughts on books, reading and adventures in the library."
Text # 6: Green Bean Teen Queen
"A Teen and Tween Librarian's thoughts on books, reading and adventures in the library."
GreenBeanTeenQueen, is written by
Sarah, a tween and teen librarian and Youth Services Manager. I like this blog because it is simple and
easy to navigate. In order to foster a
love of reading early on in children and teens, teachers and librarians need to
have knowledge of the best books out there.
I believe this blog would be
helpful for all educators looking to put the right book in the hands of a
student. It has clearly organized
subject headings, making it an excellent tool to find texts that reflect a
diverse range of reading abilities.
Under “Book Reviews” she provides an alphabetized list of books by title
in which she has reviewed with a clearly defined rating system. She provides useful resources for all ages.
Ranging from topics under “Picture Books” for younger children to Young Adult
novels and Adult novels found in her “Booklists.” Under “Tween Tuesday,” she
highlights great reads for the tween age providing facts about the book along
with recommended book pairings. This
blog is one way to remain current and fresh in the young literary world of our
students!
Text # 7: Pride & Prejudice (In Graphic Novel Format!)
Bibliographic Information:
Butler, N., Petrus, H., & Austen, J. (2009). Pride & prejudice. New York: Marvel.
Text # 8: And Tango Makes Three (A picture book)
Text # 9:The Perks of Being a Wallflower (Movie VS. Novel)- Audience: High School/Young Adult
Bibliographic Information:
Butler, N., Petrus, H., & Austen, J. (2009). Pride & prejudice. New York: Marvel.
Are you looking for a fresh new way to introduce your
students to classic literature without intimidating reluctant readers? In this
abridged version of Pride & Prejudice,
you will find most of the original dialogue and plots remain true to the
classic by Jane Austen. The
brightly illustrated panels provide excellent context clues, while also helping visual
learners connect characters to dialogue.
This graphic novel format gives students
a visual representation of how people dressed and lived in the early 19th
century. English language learners may greatly
benefit from comparing facial expressions and art with complex text as they
read. This novel’s pace moves quickly,
holding the interest of young readers, while also appealing to both
genders.
Pride & Prejudice
was originally published in 1813 and tells a tale of the five Bennet sisters in
England’s high society. Jane Austen’s
novel exposes readers to the ways in which societal perceptions defined a
person in that era. More importantly, this
story depicts the common views of females in a male dominated culture. By reading the classic in a graphic novel
format, students of all learning styles can actively engage in rich discussions
and debates on the measure of success and what truly defines happiness.
Text # 8: And Tango Makes Three (A picture book)
Bibliographic Information:
Richardson, J., Parnell, P., & Cole, H. (2005). And
Tango makes three. New York: Simon & Schuster Books for Young Readers.
In this beautifully written and illustrated picture book,
readers of all ages can learn from the true story of two male chinstrap
penguins that formed a natural partnership at the Central Park Zoo in New York. The story explains the way in which Roy and
Silo became an inseparable pair. During
the annual mating season, their zoo keeper noticed Roy and Silo had formed a
nest and were mimicking the other penguin couples sitting on their eggs, only
Roy and Silo were sitting on a rock as their egg. In a leap of faith, their keeper gave Roy and
Silo a fertilized egg from another penguin couple who had laid two and were unable
to care for both. Amazingly, Roy and
Silo nurtured the egg until a baby girl penguin named Tango was hatched. To this day, visitors are able to see Tango
and her parents thriving and coexisting happily with the other forty-two chinstrap
penguins living in the Central Park Zoo.
This picture book provides teachers the opportunity to explain
to very young children the moral lesson that it is OK to be different and
tolerant of families unlike your own.
Upper grade teachers can use this book in a variety of ways to increase awareness
of critical issues in our society. By
having older students question the authors’ intentions and audience, a healthy
discussion can be had regarding prejudices and social discrimination against
different sexual orientations. Teachers
and students of diverse backgrounds and abilities can use this book in many
ways to observe, discuss and debate why, who, what, when, and where this book
is so often challenged in our country.
Text # 9:The Perks of Being a Wallflower (Movie VS. Novel)- Audience: High School/Young Adult
Bibliographic Information:
Chbosky, S. (1999). The perks of being a wallflower.
New York: Pocket Books. Recommended for grades 9-12.
This major motion picture and bestselling novel tell a
heartrending story, narrated by high school freshman, Charlie, through letters to
an unknown recipient. From Charlie’s
letters, the reader is able to develop a sense of empathy in a way that most
teenagers can relate. As Charlie’s
countdown till graduation begins on his first day of high school, pieces of his
life seem to fall apart. Enduring his
best friend’s suicide, Charlie now finds he is unable to “participate” in his
daily encounters. Having no friends, he
develops a connection with his English teacher, Bob, through books. Bob sees a gift in Charlie. Through extra reading assignments and essays,
Charlie is able to escape and draw parallels to his personal battles. Unexpectedly, Charlie befriends witty and
candid Patrick, a senior.
Together, Patrick and his step-sister, Sam, form an “infinite” bond with
Charley. The reader learns of Charlie’s
dysfunctional family, and the reasons he is unable to accept the love he truly
deserves. In the end, Sam teaches
Charlie to be honest with others, and true to himself.
Chbosky expertly creates episodes throughout this coming-of-age
story. Chbosky directed the movie, rendering it true to his book. However, many noteworthy details and topics
are omitted in the film, possibly due to viewers’ sensitivity in today’s
culture. The overall
moral, beautifully expressed in both the film and novel is, “We can’t choose
where we come from, but we can choose where we go.” High School teachers may find a variety of ways to teach critical literacy skills through engaging students in real conversations about the things teenagers experience in their lives. Visual and English language learners may find it easier to make connections to the text if they view the movie first. By using material that students can relate to, they are more likely to want to participate. Students are able to compare and contrast, make predictions and anticipate the differences between the two modes.
Text #10: Thirteen Reasons Why (Audio CD)-Audience: High School/Young Adult
Text #10: Thirteen Reasons Why (Audio CD)-Audience: High School/Young Adult
Bibliographic Information:
Asher, J., Wiseman, D., & Johnstone, J.
(2007). Thirteen reasons why. New York: Random House/Listening Library.
Students
and faculty knew the most common warning signs of a suicidal individual, yet
they never saw it coming. Or did
they? After receiving a package
containing a map and seven tapes recorded by Hannah Baker, who committed
suicide two weeks earlier, Clay Jensen is compelled to find out why he is
suddenly involved in her tragic tale. The
entire story takes place over a period of twenty-four hours, in which Clay listens to
all seven of her tapes. From the beginning,
he learns this is a story of the thirteen individuals who, with their unique
set of actions and repercussions, impacted Hannah. Clay believes he did not do anything to hurt her,
however, his name is on the tapes. Through
his painful task of listening to her recorded voice, Clay is taken on a
physical and perceptual tour of the locations and events significant in Hannah’s
decision.
The
novel heard in audio format allows students to effortlessly follow the two
separate narrations of Clay and Hannah read as a conversation between a male
and female. The contrast of listening to
a gentle male voice in search of the truth against a somewhat bitter, desperate,
and depressed female voice keeps the attention of the audience. This insightful novel sends the message that
a single rumor can snowball into a vicious consequence. The author respectfully portrays the
intricate thought processes leading up to suicide, while cleverly educating the
warning signs and common misconceptions of the victim. Teachers may choose to give their students
the option of reading the novel or listening to the story on CD as a way to
reach various learning styles. Teachers
facing incidents of bullying can use the author’s message to drive the point to
their students that actions and
inactions strongly impact others in ways one is never certain of. This story fosters the opportunity for
teachers to discuss candidly the issues that exist in today’s young
generation. This novel is intended for
grades 9-12.
Strategy #1: Writing Break
School Media Coordinators, aka School Librarians, are dedicated to information literacy. By providing textual information to students through a variety of instruments, (internet, movies, newspapers, textbooks, picture books, magazines, comics etc.) literacy needs are being addressed on multiple levels. While it is imperative to introduce students to information, it is even more important to teach them how to comprehend it. Edgar Dale’s timeless cone-of-experience model illustrates the ways in which learners are able to understand and retain the information they receive. It says people are typically able to remember:
10% of what they READ
20% of what they HEAR
30% of what they SEE
50% of what they HEAR and SEE
70% of what they SAY and WRITE
90% of what they SAY as they DO A THING
The simple strategy of taking a “Writing Break” every ten to twenty minutes on a consistent basis, gives students the chance to increase their retention up to seven times more than what it would be if they only read. For ELLs (English Language Learners) this exercise allows them the opportunity to write any thoughts, ideas or questions in their native language to address during or after the reading. The technique is simple: for a lecture or discussion take a writing break every ten to twelve minutes. For videos a writing break is useful every twenty minutes or after important scenes. When reading, take a writing break after every page or section to allow students time to organize their thoughts. It is important for the teacher to provide writing prompts which are planned in advance, and to observe the students in action thus understanding which ones need help. Lastly, follow up with pair sharing, or volunteer read-alouds to form accountability. Make sure to give stamps, checks, or comments to show this writing is valuable to the learning process. Don’t critique spelling, grammar, or format for this informal style of writing-to-learn.
Strategy #2: Drawing and Illustrating
Strategy #4: Anticipation Guide (Pre-Reading Strategy)
Strategy #2: Drawing and Illustrating
No two students are the same. Whether academically gifted or learning English as a second language, pictures are universal to the human eye. When using the strategy, “Drawing and Illustrating,” students are able to make simple doodles, pictures, or maps to help them make sense of what they are learning. This strategy is particularly helpful for visual learners. By taking a break from the lesson to quickly and informally sketch an image, students are able to better process what they’ve just read or heard. It is important for the teacher to observe students during this break to get a clear understanding of common misconceptions or concepts that need further clarification. This strategy is particularly helpful with Scientific models but not limited to. Make sure students understand they are not being judged for artistic talent!
Strategy #3: Write Around
With the explosion of social media applications, email, texting and chatting, today’s tech-savvy generation is communicating via written-word more than ever. By implementing the strategy of the “Write-Around,” educators are encouraging an already familiar style of writing in students. Simply organize a small group of three to five students. Assign a pre-determined multilayered topic, and encourage students do what they do best-write short notes to each other discussing the details of the topic. Depending on the purpose of the write-around, the teacher can allow for longer periods of writing time or have short response times. The rules are as follows:
- Students sign their initials in the left margin and begin with a comment on the topic.
- Students must write silently for the entire time, until the teacher says “PASS.”
- Students silently pass the papers. The new writer signs in, reads the previous comment and replies with additional views or opposing opinions.
- Once the original paper is back to its original author, the paper is read and discussed in the group.
This strategy is excellent for discussing controversial topics in Social Studies and Language Arts. If working with a group of ELLs (English Language Learners), it may be beneficial to allow them to write and discuss in their native language as long as group members are able to read and respond to one another. Teachers may also differentiate instruction by giving different prompts to various groups. Make sure to provide value and accountability by collecting written discussions and providing comments or stamps of approval. As always with informal write-to-learn exercises, students should feel comfortable knowing they will not be graded on grammar, spelling, or sentence structure. BEWARE! Peer-pressure may enhance the desire to write well!
Strategy #4: Anticipation Guide (Pre-Reading Strategy)
Anticipation guides are excellent strategies to get your
students interested in what they are about to read. By triggering students’ prior knowledge, the anticipation
guide gives them confidence to make personal connections, and then predictions
about the upcoming reading. Anticipation
guides also help students build skills in understanding cause and effect
relationships and generalizations. Build a sense of intrigue and excitement for reading with this fun activity!
To Get Started:
1. As
you write the anticipation guide, choose 3 to 5 generalizations that relate to
a theme in the story. The most
controversial issues make for the best discussions and debates among your
students!
2. Next,
introduce the guide to your students, and model
how to fill out the questionnaire using your personal opinion and thoughts to
Agree or Disagree with the generalization-Make sure students do not feel
pressured to make a guess, there are no right or wrong answers! (Example: People who steal are bad. “I disagree
because I believe a person who steals may not be bad, maybe they are just hungry
and must steal food to survive.”)
3. Before
beginning the reading, have students fill out the guide and then engage a discussion
as a class or in groups. Once students
begin to read, have them refer to their guide to take notes. Finally, have students use the guide to
analyze how the reading affected their opinions of the generalizations and initial
responses.
Strategy #5: Say Something (During Reading Strategy)
2. When you say something, do one or more of the following:
Strategy # 6: It Says-I Say-And So (After Reading Strategy)
Definition:This strategy helps readers build inferencing skills. It provides a visual for students to organize their thoughts about what they have read compared to what they already know.
Strategy: Question (Read the question.), It Says (Find information from the text that will help you answer the question.), I Say (Think about what you know about that information.), And So (Combine what the text says with what you know to create your answer.)
When It's Appropriate: When working with dependent readers who often have trouble finding answers from the text that aren't there and require internal thought processes (Inferences).
Why Use It? It's necessary to use this strategy as a scaffold for students who already have a difficult time reading the actual text and keeping up with the details. By using a chart to organize the process of inferencing, these students become familiar with the structure of how to make an inference.
How Does It Work? First you must model this strategy. Introduce it using a story well known by all students. Start by asking explicit questions, then ask a question requiring students to make an inference. Use the chart to help visual learners see the though process. Model everyday!
Example: The Three Little Pigs Question:Which little pig was the smartest? It Says: The first pig built his house with straw. The second pig built his house with sticks. The third pig build his house with bricks. I Say: Bricks are stronger than straw and sticks. And So: The third little pig was the smartest.
Strategy # 7: "Faction" (Writing Strategy)
Definition: Faction combines facts with imagination. Students are able to apply personal creativity to the research they are conducting!
Strategy:This writing strategy is an excellent tool to use for research projects, extension activities, or as an alternative assessment.
When It's Appropriate: It is appropriate to use when you want to give students the opportunity to create unique personalized work based on facts you want them to learn.
Why Use It? To allow students to learn more independent forms of research in a fun way!
How Does It Work? Depending on the goal of the project, allow your students to choose their research topic, invest time in the class for students to talk about potential choices. (If you insist, give them a list to choose from via fixed sets of texts that way all students will be writing from the same resources). Next, identify the audience (other than you and the other students). It can be whom this faction might influence, living or dead, real or imagined. Third, gather information from 2 or 3 good resources. From here students will need to prewrite (gather bibliographical information, reactions from the perspective of their faction character, and then develop details for their new character. After prewriting, they begin to write their drafts in class! Finally, have them revise, edit, and share!
Example:1920s Research topics: Racial violence and the KKK, Harlem Renaissance, The Great Migration
Strategy # 8: Question the Author: QAR
Strategy #5: Say Something (During Reading Strategy)
Many times it is difficult to tell if your students
actually comprehend what they are reading.
This simple yet effective strategy incorporates mini-discussions periodically
throughout a reading assignment. For English Language Learners, allow discussions to take place in their native language for increased engagement and support. By
giving your students specific prompts that foster interaction with the reading,
you will help them understand what they are reading as they
practice skills such as predicting, questioning, clarifying,
commenting, or
connecting. It is important that you always MODEL a Say Something scenario
to show students exactly what it looks like.
Rules:
1. With your partner, determine who will say something first and when (Example: Marc will “Say Something” after the second page has been read by both partners).2. When you say something, do one or more of the following:
Make a prediction (I bet that…)
Ask a question (What’s this part about…)
Clarify something you did not understand (This makes sense now…)
Make a comment (I like the part where…)
Make a connection (This reminds me of…)
3. If you can’t do one of these five things, then you need to reread.Strategy # 6: It Says-I Say-And So (After Reading Strategy)
Definition:This strategy helps readers build inferencing skills. It provides a visual for students to organize their thoughts about what they have read compared to what they already know.
Strategy: Question (Read the question.), It Says (Find information from the text that will help you answer the question.), I Say (Think about what you know about that information.), And So (Combine what the text says with what you know to create your answer.)
When It's Appropriate: When working with dependent readers who often have trouble finding answers from the text that aren't there and require internal thought processes (Inferences).
Why Use It? It's necessary to use this strategy as a scaffold for students who already have a difficult time reading the actual text and keeping up with the details. By using a chart to organize the process of inferencing, these students become familiar with the structure of how to make an inference.
How Does It Work? First you must model this strategy. Introduce it using a story well known by all students. Start by asking explicit questions, then ask a question requiring students to make an inference. Use the chart to help visual learners see the though process. Model everyday!
Example: The Three Little Pigs Question:Which little pig was the smartest? It Says: The first pig built his house with straw. The second pig built his house with sticks. The third pig build his house with bricks. I Say: Bricks are stronger than straw and sticks. And So: The third little pig was the smartest.
Strategy # 7: "Faction" (Writing Strategy)
Definition: Faction combines facts with imagination. Students are able to apply personal creativity to the research they are conducting!
Strategy:This writing strategy is an excellent tool to use for research projects, extension activities, or as an alternative assessment.
When It's Appropriate: It is appropriate to use when you want to give students the opportunity to create unique personalized work based on facts you want them to learn.
Why Use It? To allow students to learn more independent forms of research in a fun way!
How Does It Work? Depending on the goal of the project, allow your students to choose their research topic, invest time in the class for students to talk about potential choices. (If you insist, give them a list to choose from via fixed sets of texts that way all students will be writing from the same resources). Next, identify the audience (other than you and the other students). It can be whom this faction might influence, living or dead, real or imagined. Third, gather information from 2 or 3 good resources. From here students will need to prewrite (gather bibliographical information, reactions from the perspective of their faction character, and then develop details for their new character. After prewriting, they begin to write their drafts in class! Finally, have them revise, edit, and share!
Example:1920s Research topics: Racial violence and the KKK, Harlem Renaissance, The Great Migration
Strategy # 8: Question the Author: QAR
(During & After Reading Strategy)
Engage your students in a discussion and have them answer the following questions during and after their assigned reading:
1. Why is the author telling me this?
2. Does the author say it clearly?
3. How could they say it more clearly?
4. What would I say instead?
Now have your students re-write the passage in their own words. Once completed, have them share with partners or groups. This strategy teaches students to critique what they are reading, while allowing them to see authors' biases and form their own opinions.
Strategy # 9:Exit Slip (Writing Strategy)
Definition: An exit slip is a simple way to evaluate the thoughts of your students. It is a short, 5 minute time period at the end of a lesson in which your students write on a sheet of paper or note card their response to your open ended prompt.
Strategy: You may offer students one prompt or allow them to choose from a list of several. Once they have written their response, you collect their papers.
When it's appropriate: This strategy is effective to use as a closer to a lesson, or at a time when you want feedback from your students.
Why use it? The main objective of using this strategy is to get direct feedback from your students so that you can know how to teach the next class. You may use exit slips as a diagnostic tool to see what your students are struggling with or where their attitudes about a particular topic stand. It is important to remember-you shouldn't grade these! Students will feel more open to write their honest opinions if they know they will not be graded on grammar or sentence structure.
How does it work? All you have to remember is to stop your lesson about five minutes shy of the bell. Before your students make a dash for the door, make sure they have writing utensils, paper, and a prompt or list of prompts. Once they finish writing, they hand in their exit slip as they exit your class. It's that easy! Remember, it is important to make use of this feedback, by delivering on your promises and validating students' requests. You may also begin the next class by reading aloud examples of exit slips to initiate a class discussion.
Example Prompts:
What did you learn today?
How is this unit going for you?
What was the most difficult or confusing idea we learned today and why?
What would you like for me to review in class tomorrow and why?
What can I do to help you learn better in class? Please be specific!
What is one question you would like me to answer about your reading today?
Strategy # 10: Tea Party (Pre-Reading Strategy)
Definition: This strategy encourages students to get up out of their seats and interact with each other in discussions about the text. Tea Parties allow students to make predictions about what they are going to read as they make inferences, compare and contrast, and draw on personal experiences.
When it's appropriate: This strategy is a favorite of all ages and can be worked into scaffolding for English language learners. It requires pre-planning by the teacher but serves as a great way to spark interests in your students about new reading materials!
Why use it? This is a great strategy to motivate and excite students about upcoming readings!
How does it work?
1. First, you must decide what phrases, sentences, or single words you want to place on index cards. If you have 30 students, try to create at least 15 different phrases that give insight into characters, setting, and conflicts in the text. Each student will receive 1 index card with a word or phrase.
2. Do not paraphrase the text. Instead, you may omit certain words to shorten a phrase, but do not change the words since you want your students to recognize them when they get to the readings!
3. Begin the Tea Party! Invite students to walk around the room, they must share their cards with each other AND begin discussing what they think the cards mean with relation to the text!
4. Next, have students return to their small groups to discuss their predictions about the text (about 5 students per group works well for this strategy).
5. Ask students to complete "We think..." statements about their predictions. Their paragraphs should begin as "We think that this selection is about..."
6. Make sure you ask them to explain how and why they predicted this!
7. Now read the highly anticipated text!
Example: Tea Party topics to introduce Harper Lee's, To Kill A Mockingbird.
Moral obligation
Disapproval
Every lawyer gets at least one case in his lifetime that affects him personally...
They don't do one thing but sing their hearts out for us.
Black man
White girl
You never really understand a person until you consider things from his point of view...
Atticus wasn't interested in guns
Conscience
How could they do it?
It seems only children weep...
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